June 2007 Archives

My Kind of Town, Pittsburgh is. . .

I'M JUST BACK FROM PITTSBURGHwhere Molly and I went to have a look around. And man, I gotta tell ya, what a sweet city. Even on a cloudy day. On a sunny day, Pittsburgh steps up to the plate as one of the most beautiful cities in the world when viewed from across the Monongahela River from atop the neighborhood of Mt. Washington -- imagine the hills of Manayunk on the opposite shore of the Schuylkill directly across from Center City.

Pittsburgh is a river city surrounded by mountains, which means that it is a city of tunnels and bridges. The bridges, incidentally, are painted yellow and black, the team colors of the Pirates and Steelers. That's the 16th Street Bridge across the Allegheny River from the Strip to the North shore below Troy Hill. I enhanced the photo to bring out the yellow.

A Good Day When All Is Right With The World

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PHILADELPHIA ON A GOOD DAY can seal the deal even for those who didn't know they were shopping for a city, let alone buying. On a good day, Philadelphia can make those of us who live here ache with pride and the wonder of it all. On a good day this city virtually glows; the brick is never so red, the glass spires of Center City gleam like the skyline of Oz, the sidewalks are clean and vibrant with shiney happy people having fun.

On such pinch-me days Philadelphia looks like the prettiest girl at the dance and she's going home with you. And Philadelphia has been enjoying a string of such matchless days, good tempered June weather, with bright mornings, clear afternoons and breezy evenings. And such was the weather that greeted the 127 members of the National Society of Newspaper Columnists each day during their four-day conference in Center City that ended this morning.

What I can almost guarantee is some amazing good press about Philadelphia in the days and weeks to come from the visiting columnists. And such confidence on my part that out-of-town journalists will write raves rather than take cheap shots at our city is a relatively new mindset. There was a time when Philadelphians expected to be trashed by hipper-than-thou scribes who teed up W.C. Fields jokes and the latest municipal embarrassments and took a couple of easy swings to make the folks back home feel better because at least they didn't live in Philadelphia.

In those days the very concept of boasting about Philadelphia on a good day would have been like the famous New Yorker cartoon showing two lady hippopotamuses looking longingly at a male hippopotamus wallowing in a mud hole. One lady hippopotamus whispers to the other, "He's almost too good looking." As a lifelong Philadelphipotamus I've always been in love with the beauty of this city, mud and all. But it's kind of nice to feel this relatively new phenomenon of confidence that others will see what we see, and love what we love. Philadelphia on a good day is like that.

Stu Bykofsky, the Daily News columnist who lobbied for Philadelphia as the site of the 31st annual NSNC conference, and who organized the official events, receptions and sight-seeing activities said this columnist conclave was the most successful in the organization's history. And it was the city and its people that won rave reveiws. "People kept coming up to me during the conference telling me how friendly Philadelphians are, how clean the city was, how much they loved walking the streets." And not one columnist asked about the murder rate.

Goodnight Philadelphia. Goodnight moon.

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IT WAS A NICE NIGHT and all was safe with the city. Except for those five people who were murdered the day before. But not on Walnut Street on the first blessed breezey evening of summer.

"In God We Trust. All Others Pay Cash"

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THERE WAS THE STINK of newspaper columnists about them, crowded as they were in America's oldest press club, the Pen and Pencil. So many opinions. So little time. This was last night during the National Society of Newspaper Columnists convention in Philadelphia. How can you go to a newspaper columnists convention without popping off about something? Being bossy with your opinions is part of your job description. Or that's what people think..

In my experience (and what do I know, really, about newspaper columnists?) most columnists would describe themselves as "basically shy." I'm basically shy. In my opinion. Most newspaper columnists don't like to bother people. Most newspaper columnists aren't bullies. But most newspaper columnists share a common dream. They want to be heard. They want to matter. They want to find the right words and speed them into print.

And then there are the rest, the glory seeking hound dogs who get found out for what they are almost faster than you forget their names afterward. Nothing but barks in the wind.

And then from across the room I saw him. The gold standard. Dave Barry. Hilarious human humorist. Suddenly Carley Simon was singing the background soundtrack, "He walked in. . .to the party. . . . like he was stepping on board a yacht."

Actually, Dave Barry is one of the most unassuming guys your'd ever want to meet. Still, in a room full of columnists he was a rock star. He was scheduled to address the convention this morning and I told him I'd be there if I wasn't hung over. I was and I didn't. But we had a great time catching up. Dave and I go way back. He was a reporter with the West Chester Daily Local News when I started as a suburban reporter covering Chester County at the Inquirer in 1972. Two years later at the age of 24 I was writing a daily column in the metro section of the Inky, a column called The Scene, which I continued to write for the next 20 years. Frankly, it was pretty flattering to hear Dave Barry decribed me as "my hero" to other newspaper columnists, most of whom had never heard of Clark DeLeon.

Anyway, that's a pal shot of Dave and me at the reception for the National Society of Newspaper Columnists. My suggested caption for that photo is:
"Not Just Gay,
Gay Americans."

Gettin' Zwinky With It

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AND THE ACADEMY AWARD for most the most obnoxious obsessive-compulsive TV commercial airing at all hours on commercial TV goes to. . . Zwinky.com!

Voters of the Academy had a hard time choosing between Zwinky, the baffling commercial featuring dancing hip-hop hentai cartoon kids, and Head On, the headache remedy which is the single biggest cause of sudden skull-piercing headaches caused by exposure to the advertising copy, which consists entirely of the words, "Head On. Apply directly to forehead. Head On. Apply directly to forehead. Head On. Apply directly to forehead . . ." until the onslaught of a migraine.

It's hard to out-obnoxious the blunt force trauma caused by a head-on collisiion with such a commercial (sort of the 10-second Krass Brothers men's store "You was robbed." advertising phenomenon of the 21st Century) but Zwinkydotcom won first honors because not only is the commercial airing several times an hour on the same TV shows, but its meaning is entirely incomprehensible.

The only discernable message that a viewer can be certain of from a Zwinky.com commerial are the words "Get Zwinky" which are repeated one-hundred and seventy-three thousand times in 30 seconds. What exactly Zwinky is is left to the imagination of viewers who are pummeled with cartoon images of little girls with boobs changing clothes and little boys break dancing. Apparently, Zwinky.com is an internet site where little girls can play dress up. So why is this commercial airing after midnight on such adult venues as Saturday Night live?

As a service to Metro readers, I have submitted myself to repeated viewings of the Zwinky.com commercial so that I can accurately report the actual words spoken at machine gun pace . It starts with three boys break dancing in the hallway of an apartment building. "Are the girls ready yet," asks one. "Nah, their getting Zwink with it," replies another. "That's right," says the third in a deep bass voice. Then all hell breaks loose with "Get Zwinky" chanted repeatedly , alternating with responses of "uh-huh" "that's right" and "dot com." Then you see the cartoon girls with their Betty Boop boobs dressing up as the announcer voice gets jiggy with the message, "You can be anyone. You can be yourself or someone else for fun. You can wear anything. Leather pants. Cool shoes. Spikey hair. Big bling. These are free and fun and hot. You can be a movie star and create your own plots. You can be a jet setter, or a little devil too. You can even be you. Get Zwinky. Get Zwiky. Get Zwinky."

Now you're going to be humming that all day. You've just been Manilowed.

Well, East Coast Girls are hip, I really.. .

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WHAT MAKES THE WOMEN of Philadelphia so beautiful? You know what I mean. Striking. Original. Classy.

Ask a glint of sunlight on a speechless Saturday afternoon in June. How can a woman turn a rowhouse street corner into an event? How can light and shadow and architecture conspire with a flash of red to make Philadelphia look like the coolest city in the world?

It's the women. It's the Philadelphia girls. They're as real as you get. Even the flakey ones. Maybe "especially" the flakey ones. I don't know a Philadelphia girl worthy of the name who doesn't pack more style with less fuss in a stroll down the street than Paris Hilton ever mustered on a red carpet. But unlike Paris Hilton, Philadelphia girls know that the first rule of cool is keeping it together, even if they are out of their freaking minds. Which most of them will admit, eventually, if they know you well enough.

I could tell you stories. But my wife won't let me. I mean, I could tell you. But then she'd have to kill me. Let me just say that I've never met a Philadelphia girl who didn't have more balls than common sense. By that, I mean, you know, testicles. Cajones. Huevos. That je nais se whatthefuckareyoulookin'at? qua. . They don't always say it like that. But Philadelphia girls are capable, each and every lovely one of them, of tearing someone a new way of respecting them.

I romanticize, of course. But I speak as a grandfather who was once a son, a husband who was once a teenage boy, a father of two magnificent daughters who haven't thought I was cool since the Reagan Administration. I was born in Philadelphia and have lived here all my life. And I haven't known a Philadelphia girl who couldn't kick my ass, if she wanted to. And by "kick my ass" I mean being right when I'm wrong, but more importantly, by being right when I'm righter. The only way to win an argument with a Philadelphia girl is to have her referee and announce you the winner. A joyous phenomenon most male Phillies fans can only relate to as a hypothetical, but who , in their hearts, know has actually happened. . . Once. . . In a hundred and something-something years.

Like I said, I could tell you stories. But then, frankly, I'd have to kill myself, because at least I'd get the choice of weapons. Here's what I'm talking about. This happened almost exactly ten years ago in a neighborhood bar in Grays Ferry. I was standing next to a Philadelphia girl with an Irish freckled face and an Italian last name, a vivacious, funny, sweet woman in her mid-30's. She lived in Dagoland, which is what the resentful Hibernian residents north of Moore Street and west of 26th called their latinate southern neighbors living in more modern brick row houses with tiny well kept lawns.

I was new to the scene, so I didn't know quite what to make of the reaction of a guy standing at the bar when this skinny Colleen-looking girl from the wrong side of the Dagoland frontier shouted that she wanted everyone to sing along with the song playing on the juke box. "Go fuck yourself!,' the guy suggested, loudly. And these were the words this Philadelphia girl offered in response:

"I wish I could fuck myself," she said, glaring. "Because I'd be the best piece of ass I ever had."

Sing it girl!

" Well, East Coast girls are hip, I really dig those styles they wear.
And the Southern girls with the way they talk, they knock me out when I'm down there.
The Midwest farmer's daughters really makes you feel all right.
And the Northern girls, with the way they kiss, they keep their boyfriends warm at night.."

(Bada Bing. Bada Boom. You know where this is going.)

I wish they all could be Philadelphia girls.

"I've been all round this great big world
And I've seen all kinds of girls.
Yeah, but I couldn't wait
To get back in the states.
Back to the cutest girls in the world."

Bah-doom. I wish they all could be. . .

Waitin' on a Sunny Day

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MY FRIEND JIM (NOT HIS REAL NAME) felt compelled to follow me out onto the sidewalk outside Dirty Frank's yesterday evening just so he could tell me that I haven't been keeping up the "daily" part of Daily DeLeon. I think I bitch slapped him before he could say something that hurt my feelings. But his point was well taken. I have not lived up to the title of this column/blog/website. I wrote a daiy newspaper column in the Philadelphia Inquirer for 20 years with some success, so I understand what "daily" means.

For better or for worse, I married a girl named Sally Daley 36 years ago after a six year courtship that started when she was 14 and I was 15. Everyone called her Sally except her father, who called her Sara, which was her given name, which I loved the moment I heard it, as much as I loved Sally Daley the first time I 'saw" her after eight or ten years of not noticing her every day in grade school at St. Margaret's. When we were married the priest asked , "Do you take Sally. . ." and I responded with the name Sara when I vowed to "love you and honor you all the days of my life."

A lot of people in the church noticed that I called her Sara instead of what the priest said. Which is the story of my life, if you haven't figured that out yet. I feel a need to set things straight as I see them. And I'm willing to embarrass everyone around me as I do it.

And given that, I feel it necessary to explain that I didn't come up with this name -- DAILY DeLeon -- to describe what I do in this space whenever I do it. The words "Daily DeLeon" are an expession of faith, like calling a Siano, Jimbo. But whenever Jimbo has something to say, I'm listening.

Which brings us to the photo in today's Double D. We finally cracked some sunshine on Saturday after a week of unrelenting April showerish weather for most of a week in mid-June. It reminded me of one of my favorite Bruce Springsteen songs from The Rising album, "Waitin' on a Sunny Day"

Without you, I'm workin' with the rain fallin' down
I'm half a party in a one dog town
I need you to chase these blues away
Without you, I'm a drummer girl that can't keep a beat
An ice cream truck on a deserted street
I hope that you're coming to stay

Don't Stop Imagining

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WHERE WERE YOU WHEN THE CABLE WENT OFF Sunday night? I was home on a sofa with Sara. We were keeping a running guess that changed every ten seconds. We sounded like the black people who talk out loud to the actors on the screen in a movie theater. "Uh, oh, here it comes. Tony, look UP for chrissakes!" The last episode of the Sopranos was not without drama at home.

Sara had a theory, which she had vouchsafed for weeks now, that Adriana was alive. That Silvio hadn't really killed her. Why? Because -- and my wife has her reasons -- Adriana's murder was never shown on screen. All we saw was Silvio firing bullets into Adriana from Adriana's point of view. We never saw the Sam Peckinpah twitch of bullet riddled death to confirm the kill. "Everyone else who got murdered on the Soparnos, you saw them get whacked," said Sara.

Could my wife possibly be right about this? If Hesh's black girlfriend's mysterious death was, in fact, a hit, we didn't see that on screen. There must have been others we never actually saw "taken care of." I can't think of any, but there must have been. That's my position.

Anyway, under Sara's theory, Adriana is alive because Sil never killed her because Sil has been flipped by the feds. Which means that Silvio has a license to kill by the government, based on his most recent on-screen murder just a week ago.

I'm thinking all this as we creep into the second half hour of the final episode of the Sopranos. If Sara's right, a whole lot of shit has got to come down in a very short time. Where is Silvio? We know he's alive. Why hasn't Tony visited him in the hospital? By the time Tony actually does visit the comatose Sil, he has already reached out to Uncle June, who I expected to pull out an AK-47 from behind his wheelchair when Tony asks him, "You don't know who I am, do you." Uncle June's face is a rock mafioso. Maybe he's in on it, along with Adriana and Sil.

It's ten of ten. I'm getting nervous. After six seasons the countdown to resolution is mark, T-Minus, nine, eight, seven. . . Oh, God, he's in a restaurant. Every time the door opens or a coin drops, there's menace in ever image. No, not the Boy Scouts, but maybe their leader. No, not the giggling couple, unless it's the busboy. How 'bout that guy at the counter who looks like an Italian assassin. Oh wait, this guy has to walk past Tony on his way to the men's room directly across from where Tony is sitting. Wouldn't you know that two jitterbuggy-looking black males choose that moment to walk in the front door of the restaurant. The triangulation is complete.

At the table eating onion rings and discussing the future is Tony, Carmela and A.J. They're waiting on Meadow, who is parallel parking like a Jersey girl, unsuccessfully, right outside. On a tinny diner jukebox, Journey is singing "Don't Stop Believing", a hair band power ballad from Tony amd Carmela's high school years. Every word in the lyrics applied to the scene unfolding before us. As Carmella walks through the door, a high tenor voice sings, "Just a small town girl. Livin' in a lonely world. She took the midnight train. Goin' anywhere." The camera turns to Tony watching her approach, "Just a city boy. Born and raised in South Detroit. He took the midnight train. Goin' anywhere." And if you know Journey, you that the word "anywhere" takes forever to sing.

But that is the soundtrack to the last minutes of the last Sopranos. Meadow can't park worth shit. You know everyone is going to die. It's her bad parking that will save her. Journey sings, "Strangers waiting. Up and down the boulevard .Their shadows searching. In the night. Streetlights, people. Livin' just to find emotion. Hidin', somewhere in the night."
Meadow finally parks , runs across traffic to reach her family in time. We don't see the bathroom door open. We don't see the cannolis fly. All we see is the look on Tony's face as his daughter opens the diner door, which makes an old-fashioned "ding" sound as Journey shouts, "Don't stop. . ." And then the cable went out.
I knew it was too cruel to be true, but that doesn't mean it wasn't my first thought. My uttered words at the moment were more like, "No! You Di'int!" aimed at Urban Cable rather than David Chase. The blackout lasted long enough to get most broadcast engineers fired, but the silence continued all through the credits. The first time in Sopranos history when the credits rolled without sound.

Once I got over hating the ending, I loved it. Perfect. Don't have a clue what it all meant or means, but it was perfect. Because it proved everyone wrong. Except my wife, of course. Sil is still alive. Can Adriana be far behind?

So What's Not To Like?

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I'm glad I'm not a trained critic of the arts. Otherwise I'd feel self conscious if I told you what I saw and heard Friday night in the other- worldly natural light inside Eastern State Penitentiary. This was a dance performance. And then it wasn't. It was the lonliest recital I have ever attended. At 7 o'clock the June sky was bright as afternoon, but it was dusk in the big house. And it smelt like prison. Forgotten mold over human smudge. Sweat, ghosts, half seen images in smear-caked windows. Inutterable grime. Ancient pain. Temple bells. Saxaphones. Rainspouts. Truly weird. Hypnotic.

And then the dancers, thank God, did not dance. They labored and resisted and lined up just like any con had to. There was probably jailhouse sex themes going on that I didn't recognize, but the unbearable yearning was as obvious as the walls 30 feet high and twelve feet thick. The task of the dancers was to make these walls recognizably human. This was the Leah Stein Dance Company, incidently, in a production called Gate, which continues through next weekend at the famous penal fortress on Fairmount Avenue. It starts, as these things must, with a lot of reachy arms tugging invisibly toward other reachy arms against a darkened doorway, but behind the blackness of the iron-barred door is the pale arc of a hellish corridor that seems to reach past memory, past suffering. A beige kind of death waiting for the forgotten at the end of eternity. You could almost feel the souls these moist crumbling walls have absorbed through the osmosis of a century and a half of incarceration. The dancers channeled the raw despair and masked fury of countless thousands locked in solitary cells behind these gothic walls from 1829 until 1971.


What was really cool was the way the dancers (and audience) were surrounded by human images, by real people, actors, in shadow, behind mottled glass, in sillouette against a distant open doorway. One women stood motionless, I thought, not far from where I stood. But the whole time she was rotating a round wooden spool, about half the size of a rolling pin, around the outside rim of a bronze bowl, creating a bass-note Ah-aum vibration. It was like hearing Buddhist scat jumping in a jazz session where all the cats are jamming.


By the end of the hour-long piece, where audience and actors roamed over the 11 acres of cellblocks and exercise yards, the dancers stank. And well they should have. Running, jumping, rolling in dirt. They worked hard. But not a hero in the bunch. In character always. They stank of prison sweat, the doomed and fearful stench of effort with no escape. And then, Deus ex Oshkosh, B'gosh-like, a chorus of blue shirted women prisoners singing "Sweet Rosie O'Grady" walks through the scene and leads everyone to follow them to, presumably, heaven, but dependably off stage.

Of course, in this version"Sweet Rosie" is a nursery rhyme turned nasty about a botched abortion that left sweet Rosie a corpse. "She walked into an alley, and died by the yard," they sang. "She wanted to die by inches, but dying by inches was hard." And these are the words that echoed as they walked out unlocked gates.

Yes, I was tempted to start the slow clap.

But after a lingering, but not uncomfortable silence, as people realized that was the end, sincere applause began spontaneously, and I joined in for, I don't know how long? Twenty minutes, max. But it seemed like inches.

Does This Make Ruby Look Too Gay?

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SORRY, IF THE SHOE FITS>

The Old Boys Get Younger All The Time

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LIKE THEIR FATHERS BEFORE THEM young men today have found a way to hoist a flag in a field of combat. It's called rugby. It's legal. Most times, people don't die. Rugby is a man-maker. Of that I am certain. I saw some of the boys made men by rugby yesterday afternoon at Memorial Hall field in Fairmount Park.

This peacetime Mt. Suribachi moment features current members of the Temple Univerity Rugby Club, in black, contending for a lineout against Temple Old Boys, former players, in red. The Old Boys won a scrappy victory in 90 degree heat that should have favored the fitness of the young. I coached some of these Old Boys 20 years ago at Temple, so that would make them, cough, cough, LIVID even to think you'd ask how old they are.

Now the young boys have been blooded by their elders. Next year, some of these young boys will become old boys, should they choose to risk injury, or worse, embarrassment on a hot June day. Which they will. Did they not volunteer to play rugby in the first place.

WHY MEN DON'T TALK

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I'VE NEVER TOLD THIS STORY and I wonder why. I'm coming off a week of thinking about what I wrote about dad on Memorial Day, and it made me wonder why men don't tell stories about the things that matter. I've spoken to so many guys over the last few days, sons of vets from any war, who repeat my story over and over. Dad never. I never. And that's OK. But since you brought up the subject, I never knew. . . .

A guy named Spider told me he finally asked his dad a question. He knew his father was in World War II, but he had no clue, no base stories, no interest in something dad didn't talk about. Spider is a young man when he asks his father, and asks only because they were watching TV, a documentary about the invasion of Normandy on June 6, 1944. "Dad, where were you on D-Day?" And Ed answered, "Omaha Beach, Day Two."

Can you imagine arriving on Omaha Beach the day after the slaughter of D-Day? You can't hide that many floating bodies and smoking LSTs. I have no idea what Ed saw that day, and neither does his son. Because that's all dad ever said about that. And that's OK, except for the part that sons want to know. It's not about heroics, cowardice or judgement. It's more like, "So what did you do next?" Which requires a story which a lot of dads don't like to tell. Because sometimes there's a lot of running around in fear that gets you nowhere when people get killed for no reason. And even years later, you can't make sense of it. And the whole time you felt helpless.

It was mid-afternoon on a fall Sunday. I was with my children , Dan and Emily, playing softball at at Starr Garden park at 7th and Lombard. Cattycorner was a new townhouse under construction, curiously, with men working on a Sunday. There was a heavy hum of motors. I could see men walking on the exposed wood floors on the second story as I lobbed a softball to toward the plate where my seven-year-old daughter took a big. . .. There was a sound and movement behind her. Like nothing I've ever heard before, which I guess is why people keep saying that. Later that night on the news, a fellow eyewtitness was asked by KYW-TV reporter Robin MacIntosh, what it sounded like. And he replied, "It sounded like hell."

Which was not only inadequate but perfectly true. Especially compared to the awe-numbed detail I tried to provide when Robin interviewed me on camera at the scene. It's not that I objected to KYW's decision to use the quote, "It sounded like hell." spoken by a black man my age as much as it was that they showed my name -- Clark DeLeon -- on the screen under his image as he said it.

That alone would be a good enough reason never to have told you this story. But that's not it. More than 25 years later, I don't know what to tell you about this that could possibly match my state of mind. I was aware of everything instantly from the moment I heard the folding start. That's the word I'm using. It came down like a bad shuffle, folding awkwardly. A construction site fell in upon itself. I could see it happen as I pitched to Emily. She heard it too. There was this hushed groan, a rush of dust, and then silence. Not a single human cry.

I saw the look on Emily's face as she looked at mine. It seemed to take forever for me to say something, but when I did, I remember exactly what I said: "THERE ARE MEN IN THERE." I said it just like that, over and over again, as if to explain why I was rushing this way and that with no apparent purpose. There are men in that building. A single cell phone could have changed everything, but that, like sufficient body armor, would come years later.

The notion that there were men in the building caused me to do things I would never do. My first instinct -- it was happening 20 yards away -- I attacked the fence and climbed way higher than I was ready to go, even higher than that, and I looked down on my children, frozen in that moment like a Bizarro Spiderman,who couldn't make it over the fence, who couldn't run to get help. I came down from the fence and started running toward the firehouse at 6th and South, realized I'm a dumbass with crying children left behind, as I turned back I heard the sirens.

Two men died. There was nothing I could have done. They folded into the cellar, which was filled with four feet of water from heavy rains that week, and drowned. At 7th and Lombard. I can't tell you how little that story has meant in my life. I rarely think of it. I don't want to visit that place again. I don't want to imagine the look on my children's faces as they saw their father become a panicked chimpanzee on the wire shouting "THERE ARE MEN IN THERE!" And feeling helpless. Helpless, helpless, helpless.

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